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2010

Conley T. The Strategist and the Stratigrapher” . In: Aftereffects: Gilles Deleuze and the Philosophy of Cinema. Minneapolis: U of Minnesota P; 2010. pp. 260–73.
Conley T. The Strategist and the Stratigrapher” . In: Aftereffects: Gilles Deleuze and the Philosophy of Cinema. Minneapolis: U of Minnesota P; 2010. pp. 260–73.
Conley T. A Topographer’s Eye: From Gilles Corrozet to Pieter Apian. In: Walter S. Melion and Lee Palmer Wandel. Leiden and Boston: Brill; 2010. pp. 55–80.
Conley T. A Topographer’s Eye: From Gilles Corrozet to Pieter Apian. In: Walter S. Melion and Lee Palmer Wandel. Leiden and Boston: Brill; 2010. pp. 55–80.
Conley T. Louis Aragon, ’Elsa, je t’aime. In: Hugues Azerad. Cambridge: Cambridge University Press; 2010. pp. 105–15.
Conley T. Louis Aragon, ’Elsa, je t’aime. In: Hugues Azerad. Cambridge: Cambridge University Press; 2010. pp. 105–15.
’Des cannibales’: Essai sous le don. Montaigne Studies 22. 2010:119–26.
’Des cannibales’: Essai sous le don. Montaigne Studies 22. 2010:119–26.

2009

Conley T. The 39 Steps and the Mental Map of Classical Cinema. In: Martin Dodge. London: Routledge; 2009. pp. 131–48.
Conley T. The 39 Steps and the Mental Map of Classical Cinema. In: Martin Dodge. London: Routledge; 2009. pp. 131–48.
Conley T. Cinema and its Discontents. In: Gabriel Rockhill and Philip Watts. Durham, NC: Duke UP; 2009. pp. 216–28.
Conley T. Cinema and its Discontents. In: Gabriel Rockhill and Philip Watts. Durham, NC: Duke UP; 2009. pp. 216–28.
Fadaises et Dictons. In: Zahi Zalloua. Seattle and London: University of Washington Press; 2009. pp. 253–63.
Fadaises et Dictons. In: Zahi Zalloua. Seattle and London: University of Washington Press; 2009. pp. 253–63.
Conley T. Sarah Kofman. In: Film, Theory and Philosophy: The Key Thinkers. Durham: Acumen Publishers; 2009. pp. 190–200.
Conley T. Sarah Kofman. In: Film, Theory and Philosophy: The Key Thinkers. Durham: Acumen Publishers; 2009. pp. 190–200.