Title: Biblio RTF Export
Author: Biblio 7.x

From Detail to Periphery: All French Literature is Francophone. Yale French Studies.  2013.

de Courcelles D. Un tombeau de mélanges: Les ?Epistres de l?amant vert? dans le livre imprimé des Illustrations de Gaule et singularitez de Troie (1512-1513). Ouvrages miscellanées & Théories de la connaissance à la Renaissance.  2013.

 ?Des cannibales?: Essai sous le don. Montaigne Studies 22.  2010 :119-26.

Conley T. Louis Aragon, ?Elsa, je t?aime. In: Hugues Azerad. Cambridge: Cambridge University Press ; 2010. pp. 105-15.

Conley T. A Topographer?s Eye: From Gilles Corrozet to Pieter Apian. In: Walter S. Melion and Lee Palmer Wandel. Leiden and Boston: Brill ; 2010. pp. 55-80.

Conley T. The Strategist and the Stratigrapher? . In: Aftereffects: Gilles Deleuze and the Philosophy of Cinema. Minneapolis: U of Minnesota P ; 2010. pp. 260-73.

Conley T. An Errant Eye: Topography and Poetry in Renaissance France.; 2010.

 The Cartographic Journal.  2009.

 Cahiers V.-L. Saulnier.  2009.

 A Devil in Diversion: Number and Line in the Essais. Configurations 17.1-2.  2009 :87-103.

 Le Méditer: Via Apian no. 26. Cahiers V.-L. Saulnier.  2009 :95-112.

 Le Métier d?écrire. L?Homme:Revue française d?anthropologie.  2009 :185-86.

and edition of Augé TM. Casablanca: Movies and Memory.; 2009.

Conley T. Sarah Kofman. In: Film, Theory and Philosophy: The Key Thinkers. Durham: Acumen Publishers ; 2009. pp. 190-200.

 Fadaises et Dictons. In: Zahi Zalloua. Seattle and London: University of Washington Press ; 2009. pp. 253-63.

Conley T. Cinema and its Discontents. In: Gabriel Rockhill and Philip Watts. Durham, NC: Duke UP ; 2009. pp. 216-28.

Conley T. The 39 Steps and the Mental Map of Classical Cinema. In: Martin Dodge. London: Routledge ; 2009. pp. 131-48.

 L'Homme.  2008.

Conley T. Rhétorique et littérature en Europe de la fin du Moyen Age au XVIIe siècle . In: ; 2008.

Conley T. Mélanges Jean Céard. In: ; 2008.

Conley T. European Film Theory. In: ; 2008.

Conley T. Cinema and Modernity. In: ; 2007.

Conley T. The History of Cartography 3: The European Renaissance. In: ; 2007.

and Quainton AAM. An Eclogue Engraved: Scève & Salomon's Saulsaye (1547). Book & Text in France.  2006 :1400-1600.

Pomerance M. Getting Lost on the Waterways of L'Atalante. Cinema and Modernity.  2006 :253-72.

Conley T. Cartographic Cinema. University of Minnesota Press; 2006.

Jacob C. The Sovereign Map. University of Chicago Press; 2006.

 Cinema and its Discontents: Rancière & Film Theory. SubStance 34.3.  2005 :96-106.

and Ferguson DLG. Des Périers on Speed. Medieval and Renaissance Texts & Studies.  2005 :35-58.

and Rutsky JGRL. Un chien andalou. Film Analysis: A Norton Reader.  2005 :196-215.

Capineri C. Vespucci face à l'Amérique: Une scène de géographie. Memorie geografiche , supplement to the Revista Geografica Italiana, Conoscere il mondo: Vespucci e la modernità.  2005 :9-22.

Langer U. The Essays and the New World. The Cambridge Companion to Montaigne.  2005 :74-95.

 A Fable of Film: Rancière?s Anthony Mann. Sub-stance 33.1.  2004 :91-107.

Hanrahan M. A Restive Word. special issue on Genet.  2004 :77-84.

Long KP. Montaigne moqueur: ?Virgile? and its Geographies of Gender. High Anxiety: Masculinity in Crisis in Early Modern France.  2003 :93-106.

 Film without a Future. Cinematic 1.1.  2003 :38-40.

 Conspiracy Crisis. Polygraph: An International Journal of Culture & Politics 14.  2003 :47-60.

afterword totr. by Gilles Deleuze, Francis Bacon DS. A Matter of Figure and Fact.  2003 :130-49.

and Galison MBP. End-Credits. Scientific Authorship: Credit and Intellectual Property in Science.  2003 :359-67.

and dieter Ingenscheay J-RR. The City Vanishes. Aftereffects of the City.  2003 :209-23.

 A Writing of Space: On French Critical Theory in 1973 and its Aftermath. Diacritics 33.3-4.  2003 :189-203.

Ronsard. Les Amours d?Eurymédon et Callirée? (1570). The New Centennial Review 2.1.  2002 :33-54.

Augé M. In the Metro, with an introduction and an afterword. Minneapolis: U of Minnesota P; 2002.

Conley T. L'Insconscient graphique. Paris: PUV; 2000.

Conley T. The World and its Rival: Essays in Honor of Per Nykrog. Amsterdam: Rodopi; 1999.

de Certeau M. Culture in the Plural. Minneapolis: University of Minnesota Press; 1997.

de Certeau M. The Capture of Speech and Other Political Writings. Minneappolis: University of Minnesota Press; 1997.

Conley T. The Self-Made Map: Cartographic Writing in Early Modern France. Minneapolis: University of Minnesota Press; 1997.

Conley T. Co-editor of Identity Papers: Contested Nationhood in Twentieth-Century France. Minneapolis, Minn.: University of Minnesota Press; 1996.

Bensmaia R. The Year of Passages. Minneapolis: University of Minnesota Press; 1995.

Deleuze G. The Fold: Leibniz & the Baroque. Minneapolis: University of Minnesota Press; 1993.

Conley T. The Graphic Unconscious in Early Modern French Writing. Cambridge Studies in French. Cambridge: New York: Cambridge University Pres; 1992.

Conley T. Film Hieroglyphs: Ruptures in Classical Cinema. Minneapolis: University of Minnesota Press; 1991.

de Certeau M. The Writing of History. New York: Columbia University Press; 1988.