@article {53356,
	title = {From Detail to Periphery: All French Literature is Francophone},
	journal = {Yale French Studies},
	year = {2013}
}
@article {53316,
	title = {Un tombeau de m{\'e}langes: Les {\textquotedblleft}Epistres de l{\textquoteright}amant vert{\textquotedblright} dans le livre imprim{\'e} des Illustrations de Gaule et singularitez de Troie (1512-1513)},
	journal = {Ouvrages miscellan{\'e}es \& Th{\'e}ories de la connaissance {\`a} la Renaissance},
	year = {2013},
	author = {Dominique de Courcelles}
}
@article {53036,
	title = {{\textquoteright}Des cannibales{\textquoteright}: Essai sous le don},
	journal = {Montaigne Studies 22},
	year = {2010},
	pages = {119-26}
}
@inbook {51831,
	title = {Louis Aragon, {\textquoteright}Elsa, je t{\textquoteright}aime},
	booktitle = {Hugues Azerad},
	year = {2010},
	note = {20th Century French Poetry},
	pages = {105-15},
	publisher = {Cambridge: Cambridge University Press},
	organization = {Cambridge: Cambridge University Press},
	author = {Tom Conley}
}
@inbook {51806,
	title = {A Topographer{\textquoteright}s Eye: From Gilles Corrozet to Pieter Apian},
	booktitle = {Walter S. Melion and Lee Palmer Wandel},
	year = {2010},
	note = {eds, Early Modern Eyes},
	pages = {55-80},
	publisher = {Leiden and Boston: Brill},
	organization = {Leiden and Boston: Brill},
	author = {Tom Conley}
}
@inbook {51646,
	title = {The Strategist and the Stratigrapher{\textquotedblright} },
	booktitle = {Aftereffects: Gilles Deleuze and the Philosophy of Cinema},
	year = {2010},
	pages = {260-73},
	publisher = {Minneapolis: U of Minnesota P},
	organization = {Minneapolis: U of Minnesota P},
	author = {Tom Conley}
}
@book {51391,
	title = {An Errant Eye: Topography and Poetry in Renaissance France},
	year = {2010},
	author = {Tom Conley}
}
@article {53121,
	title = {The Cartographic Journal},
	year = {2009}
}
@article {53116,
	title = {Cahiers V.-L. Saulnier},
	year = {2009}
}
@article {53111,
	title = {A Devil in Diversion: Number and Line in the Essais},
	journal = {Configurations 17.1-2},
	year = {2009},
	pages = {87-103}
}
@article {53071,
	title = {Le M{\'e}diter: Via Apian no. 26},
	journal = {Cahiers V.-L. Saulnier},
	year = {2009},
	pages = {95-112}
}
@article {53041,
	title = {Le M{\'e}tier d{\textquoteright}{\'e}crire},
	journal = {L{\textquoteright}Homme:Revue fran{\c c}aise d{\textquoteright}anthropologie},
	year = {2009},
	pages = {185-86}
}
@book {52881,
	title = {Casablanca: Movies and Memory},
	year = {2009},
	author = {Translation and edition of Marc Aug{\'e}}
}
@inbook {51916,
	title = {Sarah Kofman},
	booktitle = {Film, Theory and Philosophy: The Key Thinkers},
	year = {2009},
	note = {ed. Felitcy Colman},
	pages = {190-200},
	publisher = {Durham: Acumen Publishers},
	organization = {Durham: Acumen Publishers},
	author = {Tom Conley}
}
@inbook {51896,
	title = {Fadaises et Dictons},
	booktitle = {Zahi Zalloua},
	year = {2009},
	note = {ed., Montaigne after Theory/ Theory after Montaigne },
	pages = {253-63},
	publisher = {Seattle and London: University of Washington Press},
	organization = {Seattle and London: University of Washington Press}
}
@inbook {51866,
	title = {Cinema and its Discontents},
	booktitle = {Gabriel Rockhill and Philip Watts},
	year = {2009},
	note = {neds, Jacques Ranci{\`e}re: History, Politics, Aesthetics},
	pages = {216-28},
	publisher = {Durham, NC: Duke UP},
	organization = {Durham, NC: Duke UP},
	author = {Tom Conley}
}
@inbook {51841,
	title = {The 39 Steps and the Mental Map of Classical Cinema},
	booktitle = {Martin Dodge},
	year = {2009},
	note = {ed., Rethinking Maps},
	pages = {131-48},
	publisher = {London: Routledge},
	organization = {London: Routledge},
	author = {Tom Conley}
}
@article {53131,
	title = {L{\textquoteright}Homme},
	year = {2008}
}
@inbook {51931,
	title = {Rh{\'e}torique et litt{\'e}rature en Europe de la fin du Moyen Age au XVIIe si{\`e}cle },
	year = {2008},
	author = {Tom Conley}
}
@inbook {51926,
	title = {M{\'e}langes Jean C{\'e}ard},
	year = {2008},
	author = {Tom Conley}
}
@inbook {51921,
	title = {European Film Theory},
	year = {2008},
	author = {Tom Conley}
}
@inbook {51946,
	title = {Cinema and Modernity},
	year = {2007},
	author = {Tom Conley}
}
@inbook {51941,
	title = {The History of Cartography 3: The European Renaissance},
	year = {2007},
	author = {Tom Conley}
}
@article {53241,
	title = {An Eclogue Engraved: Sc{\`e}ve \& Salomon{\textquoteright}s Saulsaye (1547)},
	journal = {Book \& Text in France},
	year = {2006},
	pages = {1400-1600},
	author = {Adrian Armstrong and Malcolm Quainton}
}
@article {53186,
	title = {Getting Lost on the Waterways of L{\textquoteright}Atalante},
	journal = {Cinema and Modernity},
	year = {2006},
	pages = {253-72},
	author = {Murray Pomerance}
}
@book {51461,
	title = {Cartographic Cinema},
	year = {2006},
	publisher = {University of Minnesota Press},
	organization = {University of Minnesota Press},
	author = {Tom Conley}
}
@book {51441,
	title = {The Sovereign Map},
	year = {2006},
	note = {A translation of Christian Jacob, L{\textquoteright}Empire des cartes},
	publisher = {University of Chicago Press},
	organization = {University of Chicago Press},
	author = {Christian Jacob}
}
@article {53286,
	title = {Cinema and its Discontents: Ranci{\`e}re \& Film Theory},
	journal = {SubStance 34.3},
	year = {2005},
	pages = {96-106}
}
@article {53276,
	title = {Des P{\'e}riers on Speed},
	journal = {Medieval and Renaissance Texts \& Studies},
	year = {2005},
	pages = {35-58},
	author = {David Laguardia and Gary Ferguson}
}
@article {53271,
	title = {Un chien andalou},
	journal = {Film Analysis: A Norton Reader},
	year = {2005},
	pages = {196-215},
	author = {Jeffrey Geiger and R. L. Rutsky}
}
@article {53266,
	title = {Vespucci face {\`a} l{\textquoteright}Am{\'e}rique: Une sc{\`e}ne de g{\'e}ographie},
	journal = {Memorie geografiche , supplement to the Revista Geografica Italiana, Conoscere il mondo: Vespucci e la modernit{\`a}},
	year = {2005},
	pages = {9-22},
	author = {Cristina Capineri}
}
@article {53246,
	title = {The Essays and the New World},
	journal = {The Cambridge Companion to Montaigne},
	year = {2005},
	pages = {74-95},
	author = {Ullrich Langer}
}
@article {53311,
	title = {A Fable of Film: Ranci{\`e}re{\textquoteright}s Anthony Mann},
	journal = {Sub-stance 33.1},
	year = {2004},
	pages = {91-107}
}
@article {53296,
	title = {A Restive Word},
	journal = {special issue on Genet},
	year = {2004},
	pages = {77-84},
	author = {Mair{\'e}ad Hanrahan}
}
@article {53381,
	title = {Montaigne moqueur: {\textquoteleft}Virgile{\textquoteright} and its Geographies of Gender},
	journal = {High Anxiety: Masculinity in Crisis in Early Modern France},
	year = {2003},
	note = {(Kirksville, MO: Truman State UP, 2002), 93-106. (Paris: Ecole des Chartes, Coll. Etudes et rencontres 12, 2003), 79-101. n. 103 ({\textquotedblleft}French \& Francopone: the Challenge of Expanding Horizons,{\textquotedblright} ed. Farid Laroussi \& Christopher Miller, 2003), 166-76.},
	pages = {93-106},
	author = {Kathleen Perry Long}
}
@article {53366,
	title = {Film without a Future},
	journal = {Cinematic 1.1},
	year = {2003},
	pages = {38-40}
}
@article {53351,
	title = {Conspiracy Crisis},
	journal = {Polygraph: An International Journal of Culture \& Politics 14},
	year = {2003},
	pages = {47-60}
}
@article {53346,
	title = {A Matter of Figure and Fact},
	year = {2003},
	pages = {130-49},
	author = {afterword to Gilles Deleuze, Francis Bacon, tr. by David Smith}
}
@article {53336,
	title = {End-Credits},
	journal = {Scientific Authorship: Credit and Intellectual Property in Science},
	year = {2003},
	pages = {359-67},
	author = {Mario Biagioli and Peter Galison}
}
@article {53331,
	title = {The City Vanishes},
	journal = {Aftereffects of the City},
	year = {2003},
	pages = {209-23},
	author = {Joan-Ramon Resina and dieter Ingenscheay}
}
@article {53201,
	title = {A Writing of Space: On French Critical Theory in 1973 and its Aftermath},
	journal = {Diacritics 33.3-4},
	year = {2003},
	pages = {189-203}
}
@article {53376,
	title = {Les Amours d{\textquoteright}Eurym{\'e}don et Callir{\'e}e{\textquoteright} (1570)},
	journal = {The New Centennial Review 2.1},
	year = {2002},
	pages = {33-54},
	author = {Ronsard}
}
@book {52906,
	title = {In the Metro, with an introduction and an afterword},
	year = {2002},
	publisher = {Minneapolis: U of Minnesota P},
	organization = {Minneapolis: U of Minnesota P},
	author = {Marc Aug{\'e}}
}
@book {51471,
	title = {L{\textquoteright}Insconscient graphique},
	year = {2000},
	note = {a French edition of The Graphic Unconscious},
	publisher = {Paris: PUV},
	organization = {Paris: PUV},
	author = {Tom Conley}
}
@book {53396,
	title = {The World and its Rival: Essays in Honor of Per Nykrog},
	year = {1999},
	publisher = {Amsterdam: Rodopi},
	organization = {Amsterdam: Rodopi},
	author = {Tom Conley}
}
@book {52931,
	title = {Culture in the Plural},
	year = {1997},
	note = {With Afterword},
	publisher = {Minneapolis: University of Minnesota Press},
	organization = {Minneapolis: University of Minnesota Press},
	author = {Michel de Certeau}
}
@book {52916,
	title = {The Capture of Speech and Other Political Writings},
	year = {1997},
	note = {With Afterword},
	publisher = {Minneappolis: University of Minnesota Press},
	organization = {Minneappolis: University of Minnesota Press},
	author = {Michel de Certeau}
}
@book {51531,
	title = {The Self-Made Map: Cartographic Writing in Early Modern France},
	year = {1997},
	publisher = {Minneapolis: University of Minnesota Press},
	organization = {Minneapolis: University of Minnesota Press},
	author = {Tom Conley}
}
@book {51586,
	title = {Co-editor of Identity Papers: Contested Nationhood in Twentieth-Century France},
	year = {1996},
	publisher = {Minneapolis, Minn.: University of Minnesota Press},
	organization = {Minneapolis, Minn.: University of Minnesota Press},
	author = {Tom Conley}
}
@book {52936,
	title = {The Year of Passages},
	year = {1995},
	note = {With Afterword},
	publisher = {Minneapolis: University of Minnesota Press},
	organization = {Minneapolis: University of Minnesota Press},
	author = {R{\'e}da Bensmaia}
}
@book {52941,
	title = {The Fold: Leibniz \& the Baroque},
	year = {1993},
	note = {With Introduction},
	publisher = {Minneapolis: University of Minnesota Press},
	organization = {Minneapolis: University of Minnesota Press},
	author = {Gilles Deleuze}
}
@book {51546,
	title = {The Graphic Unconscious in Early Modern French Writing. Cambridge Studies in French},
	year = {1992},
	note = {With Introduction},
	publisher = {New York: Cambridge University Pres},
	organization = {New York: Cambridge University Pres},
	address = {Cambridge},
	author = {Tom Conley}
}
@book {51581,
	title = {Film Hieroglyphs: Ruptures in Classical Cinema},
	year = {1991},
	publisher = {Minneapolis: University of Minnesota Press},
	organization = {Minneapolis: University of Minnesota Press},
	author = {Tom Conley}
}
@book {52956,
	title = {The Writing of History},
	year = {1988},
	note = {With Introduction},
	publisher = {New York: Columbia University Press},
	organization = {New York: Columbia University Press},
	author = {Michel de Certeau}
}
